The Red Shoes

The Red Shoes
by Theodora Goss

There are days
when I too want to cut off my feet.

Days on which I desire too much, on which I am filled
with longing for what I don’t have, and may never.
When I feel that black hole in my chest
(like a manhole missing its cover)
into which things fall: my phone, the alarm clock,
the bulletin board on the wall,
the to-do list on my desk,
all my best intentions, and I think,
who needs feet? Especially
feet in red shoes.

Once you put the red shoes on,
you can never take them off.
I put them on when I was fifteen
and first fell in love,
and first wanted to live
anywhere but where I was living.

I thought, Let me be wild. Let me dance, just a little.
The red shoes never take you anywhere sensible.
They will take you to Paris
when your credit card is maxed out.

That, of course, is when I first wanted to become
a writer. One of the incorrigible.

But sometimes you get tired
of dancing everywhere: down the street,
on the subway.

And you think, I could just take a hatchet to them.
Karen did it, and she’s up in heaven
somewhere, where good girls go.
She no longer wants anything.
She stopped writing long ago.

But what about Hans? Because he had a pair as well.
I suspect he’s tap-dancing
in the hell writers make for themselves,
red shoes flashing (his had spangles).
He could never give up desire,
no matter how hard he tried.
He was ugly, and therefore wanted everything.
(As we are all ugly, if not outside, then inside,
all ducklings who only occasionally
recognize our swan parentage.)
He tried very hard to be good,
but kept falling in love,
which is a disadvantage.

So here I am, red shoes on (they never come off):
sometimes they are sandals, sometimes rain boots.
And I don’t know what to do with them except keep walking,
which is also dancing, because although I may tire,
they don’t.

She Danced Through the Dark Wood by Katherine Cameron

(The illustration is She Danced Through the Dark Wood by Katherine Cameron.)

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The Rhododendrons

The Rhododendrons
by Theodora Goss

This morning I decided
to wear a purple dress so I would resemble
one of the rhododendrons.  Oh wind in the bushes,
I noticed you dancing with their purple blossoms.
I’m ready too, anytime
you want to start.

Rhododendron in Tuxen’s Garden by Laurits Tuxen

(The painting is Rhododendron in Tuxen’s Garden by Laurits Tuxen.)

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The Elf King’s Daughter

The Elf King’s Daughter
by Theodora Goss

It is the Elf King’s daughter,
with the leaf-light in her eyes,
that greenish twilight beneath the beech boughs
where only the hum of flies

disturbs the lilies of the valley
and ferns their fronds unfurl.
How dare I stir or show my presence
to the Elf King’s girl?

She sits so still upon the boulder,
the leaf-light in her hair
casting a greenish pall on its goldness.
Mortal, stare

at her small feet shod in leaf-green velvet,
her small hands pale and fay,
among the wood anemones
in early May.

The Fairy and the Frog by Ida Rentoul Outhwaite

(The image is The Fairy and the Frog by Ida Rentoul Outhwaite.)

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The Bug: An Epitaph

The Bug: An Epitaph
by Theodora Goss

I feel as though I should write a poem
to the bug I flushed down the toilet
who had so many legs
so many
and whom if I were being more romantic
or literary I would call an insect.
But to me he was a bug
that I scooped up in bunched
toilet paper and flushed,
although he probably didn’t deserve
such disrespectful treatment
simply for walking across
the rug in my bedroom.

I couldn’t help it — the legs.
Just as now I can’t help
feeling guilty.

But I also feel strongly
that everyone, even a bug,
deserves an epitaph.

Illustration of Insects

(The illustration is a vintage poster of North American insects. The particular bug mentioned in the poem is not on the poster. It had many more legs.)

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The Princess and the Frog

The Princess and the Frog
by Theodora Goss

I threw the ball into the water.
The frog came out and followed after,
bringing me the golden ball —
which I did not want at all, at all.

Princess, he said, let me eat at your table.
I fed him as well as I was able.
Princess, let me sleep on your pillow.
He crept as close as I would allow.

He said, a witch enchanted me.
I’m not what I seem, you see,
but a prince in the form of a lowly frog,
forced to live in that wretched bog

where I found and retrieved the golden ball
you had deliberately let fall.
Why did you discard your treasure?
I said, because it gave me no pleasure.

The heavy scepter and orb of state
hurt my arms with their golden weight.
The scepter still lies within the pool,
among the weeds. I don’t want to rule

this country or wage the endless war
my father started. I want more
than political and diplomatic lies.
He blinked his iridescent eyes.

Kiss me, he said. And I did, despite
my misgivings. It felt appropriate,
almost as though I could hear my fate
knocking on the castle gate.

Then he turned into a prince, and I
into a frog, instantaneously.
He took me down to the pool again,
away from the troubling world of men.

There I swim in the cool green water,
and the only things that seem to matter
are the sun as it filters into the green
or the patter of a summer rain

on the leaves of the floating water lilies.
The flashing blue of dragonflies,
the stork that is my nemesis.
Who would have thought a single kiss

could release me from the strife
attendant on a human life
and bring me to the cool green heart
of the world, where all enchantments start?

Where life is still a fairy tale,
and I’m the princess of the pool.

The Princess and the Frog by William Robert Symonds

(The image is The Princess and the Frog by William Robert Symonds.)

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Spring Song

Spring Song
by Theodora Goss

Slowly the willow has turned to silver,
slowly, slowly, over the town,
a shadow has crept — the hint of the season,
the green-gauze hem of Spring’s wild gown.

Slowly the river begins to murmur,
slowly I measure the lengthening days,
and the birds return and from high in the budding
trees begin their virelays.

Grasses that cover the graveyard alleys
regain their verdure and windily nod,
and Spring herself sits upon the tombstones,
smiling a smile that is sweet and mad.

Her gown spreads away when the wind is blowing,
a green-gauze net that rides on the air,
and slowly the willow has turned to silver,
and neither she nor I can care.

Dream by Joan Brull

(The painting is Dream by Joan Brull. The poem is from my collection Songs for Ophelia.)

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Binnorie

Binnorie
by Theodora Goss

What is it about being made into a harp,
your bones as smooth as poplar, about being strung
with your own hair, golden or black or brown,
that presents such an appropriate allegory
for being a woman, and therefore an instrument
of fathers, husbands, or sons? Or is it rather
an allegory for being a poet, which is
a different thing altogether, I like to think,
although poetry can command you like a father,
berate you like a husband, and abandon
you like any number of sons?

The Charmer by John William Waterhouse

(The painting is The Charmer by John William Waterhouse. This poem was published in my collection Songs for Ophelia.)

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